The Modernist Journals Project

Edited by Wyndham Lewis, and running for just two issues, Blast was the quintessential modernist little magazine, the voice of the Vorticists.

Edited by John Middleton Murry and Katherine Mansfield, and running for just three issues, this was a successor to Rhythm.

Founded in 1919 by Oxford University law student Chaman Lall, this quarterly review emphasized avant-garde poetry until its conclusion with a double issue in 1921.

Edited by "John Eglinton," Dana was a forum for Irish cultural and literary debates in a time "when everything seemed possible."

Founded by Ford Madox Hueffer in 1908 and edited by him for fifteen issues, this influential magazine published works by well-known authors (like Thomas Hardy, Joseph Conrad, and H. G. Wells) and new authors like D. H. Lawrence, Wyndham Lewis, Ezra Pound, and others.

Edited by A. R. Orage, this weekly review presented crucial debates over the kind of art, literature, and politics best suited for modernity.

Edited by Robert Graves sporadically, this little magazine published a lot of good poetry by Georgian poets and younger writers.

This is an example of the ephemeral bibelots catalogued by F. W. Faxon in 1903, offering hints of Dada and Surrealism before these modes of modernism actually developed.

Founded and edited by Harriet Monroe in Chicago in 1912 and still running today, this magazine played a major role in creating an audience for modernist poetry, publishing most of the canonical modernist poets and many others.

Edited by J. M. Murry, this little magazine stressed rhythm as the key to modernism and was especially strong in visual art.

Edited by Wyndham Lewis for two issues, this was a successor to Blast — still interesting but a bit tamer.

Published annually, with six issues appearing in the years from 1916 to 1921, this anthology of modernist petry was dominated by the Sitwells: Edith, Osbert, and Sacheverell.